21<\/strong>. Azaziah<\/em> ] a name not found in 1Ch 15:18<\/span>.<\/p>\n on the Sheminith to excel<\/em>) R.V. set to the Sheminith to lead<\/strong>. Cp. Psalms 6<\/span> (title, R.V. mg.).<\/p>\n Harps on the Sheminith – <\/B>Sheminith properly means the eighth, and has been compared with the modern musical term octave. Further, Sheminith and Alamoth are regarded as contrasted, and the harps of Mattithiah and his companions are supposed to have been pitched an octave below the psalteries of Zechariah and his brethren.<\/P> The word translated to excel, is taken as meaning to lead, and Mattithiah, etc., as leaders of the singers.<\/P> <\/p>\n Verse 21<\/span>. On the Sheminith<\/B><\/I>] According to the Targum, this signifies an instrument that sounded an octave<\/I>, or, according to others, an instrument with eight<\/I> strings. The Syriac and Arabic have it, instruments to sing with daily, at the third, sixth<\/I>, and ninth<\/I> hour; the Vulgate, an octave, for a song of victory<\/I>: some think the eighth<\/I> band of the musicians is intended, who had the strongest<\/I> and most sonorous<\/I> voices; and that it is in this sense that shelomith<\/I> and lenatstseach<\/I> should be understood.<\/P> <\/p>\n See Poole “1Ch 15:20<\/span>“. <\/P> To excel:<\/B> the word may be here added to note the excellency of that instrument, or note, or part of music; or that there was a greater extension or elevation of the voice than in the former. <\/P> <\/p>\n And Mattithiah, and Elipheleh, and Mikneiah, and Obededom, and Jeiel, and Azaziah<\/strong>,…. These six were appointed to sound:<\/p>\n with harps on the Sheminith to excel<\/strong>; which Sheminith some take to be an harp with eight strings, or the beginning of a song, or a musical tone, the bass; see the title of Ps 6:1<\/span>.<\/p>\n (21) The six lute-players.<\/p>\n With harps on the Sheminith.<\/strong><\/strong>With lutes (or lyres) in the bass. Literally, after the mode of the eighth<\/em>i.e., an octave below the tenoral ottava bassa.<\/em><\/p>\n To excel.<\/strong>To lead<\/em> the orchestra, to precent.<\/em> (Comp. Psalms 6<\/span>, heading.)<\/p>\n 1Ch 15:21 And Mattithiah, and Elipheleh, and Mikneiah, and Obededom, and Jeiel, and Azaziah, with harps on the Sheminith to excel.<\/p>\n Ver. 21. Upon Sheminith.<\/strong> ] See Trapp on “<\/em> Psa 6:1 ” Title<\/em> <\/p>\n Sheminith = the eighth. (See App-65.)<\/p>\n to excel = to lead. <\/p>\n Mattithiah: 1Ch 15:18, 1Ch 16:5 <\/p>\n harps: 1Ch 25:6, 1Ch 25:7, 1Sa 10:5, Psa 33:2, Psa 81:1, Psa 81:2, Psa 92:3, Psa 150:3 <\/p>\n Sheminith to excel: or, eighth to oversee, Psa 6:1, Psa 12:1, *titles <\/p>\n Reciprocal: 1Ch 23:8 – Jehiel 1Ch 25:3 – Mattithiah 1Ch 26:4 – Obededom<\/p>\n 1Ch 15:21. With harps on Sheminith Some think Sheminith signifies a harp with eight strings. But perhaps, as was said of Alamoth, it might be the name of a tune, or note, or part in music. Or it might be the beginning of some psalm much used. Its signification is very doubtful, nor is it necessary to know it. To excel The original word , lenatzeach, being derived from , natzach, to overcome, is thought by Strigelius to signify an extension or elevation of the voice above all the rest.<\/p>\n 15:21 And Mattithiah, and Elipheleh, and Mikneiah, and Obededom, and Jeiel, and Azaziah, with harps on the {k} Sheminith to excel.<\/p>\n (k) Which was the eighth tune, over which he that was most excellent had charge.<\/p>\n And Mattithiah, and Elipheleh, and Mikneiah, and Obed-edom, and Jeiel, and Azaziah, with harps on the Sheminith to excel. 21. Azaziah ] a name not found in 1Ch 15:18. on the Sheminith to excel) R.V. set to the Sheminith to lead. Cp. Psalms 6 (title, R.V. mg.). Fuente: The Cambridge Bible for Schools and Colleges … Continue reading “Exegetical and Hermeneutical Commentary of 1 Chronicles 15:21”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10824","post","type-post","status-publish","format-standard","hentry","category-commentary"],"_links":{"self":[{"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/posts\/10824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/comments?post=10824"}],"version-history":[{"count":0,"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/posts\/10824\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/media?parent=10824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/categories?post=10824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.biblia.work\/bible-commentary\/wp-json\/wp\/v2\/tags?post=10824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Fuente: The Cambridge Bible for Schools and Colleges<\/b><\/i><\/h4>\n
Fuente: Albert Barnes’ Notes on the Bible<\/b><\/i><\/h4>\n
Fuente: Adam Clarke’s Commentary and Critical Notes on the Bible<\/b><\/i><\/h4>\n
Fuente: English Annotations on the Holy Bible by Matthew Poole<\/b><\/i><\/h4>\n
Fuente: John Gill’s Exposition of the Entire Bible<\/b><\/i><\/h4>\n
Fuente: Ellicott’s Commentary for English Readers (Old and New Testaments)<\/b><\/i><\/h4>\n
Fuente: John Trapp’s Complete Commentary (Old and New Testaments)<\/b><\/i><\/h4>\n
Fuente: Companion Bible Notes, Appendices and Graphics<\/b><\/i><\/h4>\n
Fuente: The Treasury of Scripture Knowledge<\/b><\/i><\/h4>\n
Fuente: Joseph Bensons Commentary on the Old and New Testaments<\/b><\/i><\/h4>\n
Fuente: Geneva Bible Notes<\/b><\/i><\/h4>\n","protected":false},"excerpt":{"rendered":"