{"id":42815,"date":"2022-09-28T14:27:11","date_gmt":"2022-09-28T19:27:11","guid":{"rendered":"https:\/\/www.biblia.work\/dictionaries\/diepenbeeck-abraham-van\/"},"modified":"2022-09-28T14:27:11","modified_gmt":"2022-09-28T19:27:11","slug":"diepenbeeck-abraham-van","status":"publish","type":"post","link":"https:\/\/www.biblia.work\/dictionaries\/diepenbeeck-abraham-van\/","title":{"rendered":"Diepenbeeck, Abraham van"},"content":{"rendered":"<h2>Diepenbeeck, Abraham van<\/h2>\n<p>An erudite and accomplished painter of the Flemish School, b. at Bois-le-Duc in the Netherlands, 1599; d. at Antwerp, 1675. After having received a classical education he became one of Ruben&#8217;s best pupils and assistants. He handled mythological and historical subjects, as well as portraits, with great skill and vigor and was a good, sound colourist. He went to Antwerp about 1629 and made his first successes in painting on glass, among his productions being windows in the cathedral there representing the &#8220;Acts of Mercy&#8221;. Similar work at the church of the Dominicans shows scenes from the &#8220;Life of Saint Paul&#8221;. Van Diepenbeeek was admitted to the guild of painters in 1638, and became director of the academy in 1641. It was after a visit to Italy that the artist began to paint chiefly in oil and to illustrate. Among his illustrations are fifty-eight designs engraved by Cornelis Bloemaert for the Abbe de Marolles&#8217; &#8220;Tableaux du Temple des Muses&#8221;. During the reign of Charles I, van Diepenbeeek was in England where, besides painting portraits of the Duke of Newcastle and his family, the artist illustrated that nobleman&#8217;s book on &#8220;Horsemanship&#8221;.<\/p>\n<p>At the church of the Carmelites in Antwerp is one of the painter&#8217;s masterworks, &#8220;The Virgin in the Clouds with Saint Ely&#8221;. In the cathedral is his &#8220;St. Norbert&#8221;, while the saint appears with the first Abbot of St. Michel in a church at Deurne. In the galleries are: Louvre, &#8220;The Flight of Clcelia&#8221; and &#8220;Portraits of a Man and a Woman&#8221;; Vienna, a &#8220;Descent from the Cross&#8221; and &#8220;Allegory of Mortality&#8221;; Munich, &#8220;Abraham and the Angels&#8221; and &#8220;Feeding the Poor&#8221;; Dresden, &#8220;Neptune and Amphitrite&#8221;; Berlin, &#8220;The Marriage of St. Catherine&#8221; and the &#8220;Flight of Clcelia&#8221;; Brussels, &#8220;St. Francis Adoring the Holy Sacrament&#8221;; Antwerp, &#8220;The Eestasy of St. Bonaventure&#8221;; Brunswick, &#8220;The Entombment&#8221; and &#8220;Children&#8217;s Bacchanal&#8221;; Frankfort, &#8220;Portraits of a Young Man and a Young Woman&#8221;; Bordeaux, &#8220;The Rape of Ganymede&#8221;.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>BRYAN, Dictionary of Painters and Engravers (London and New York, 1903-5); CHAMPLIN AND PERKINS, Cyclopedia of Painters and Paintings (New York, 1886).<\/p>\n<p>AUGUSTUS VAN CLEEF Transcribed by Joseph E. O&#8217;Connor  <\/p>\n<p>The Catholic Encyclopedia, Volume IVCopyright &#169; 1908 by Robert Appleton CompanyOnline Edition Copyright &#169; 2003 by K. KnightNihil Obstat. Remy Lafort, CensorImprimatur. +John M. Farley, Archbishop of New York<\/p>\n<h4 align='right'><i><b>Fuente: Catholic Encyclopedia<\/b><\/i><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Diepenbeeck, Abraham van An erudite and accomplished painter of the Flemish School, b. at Bois-le-Duc in the Netherlands, 1599; d. at Antwerp, 1675. After having received a classical education he became one of Ruben&#8217;s best pupils and assistants. He handled mythological and historical subjects, as well as portraits, with great skill and vigor and was &hellip; <a href=\"https:\/\/www.biblia.work\/dictionaries\/diepenbeeck-abraham-van\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Diepenbeeck, Abraham van&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-42815","post","type-post","status-publish","format-standard","hentry","category-encyclopedic-dictionary"],"_links":{"self":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/posts\/42815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/comments?post=42815"}],"version-history":[{"count":0,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/posts\/42815\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/media?parent=42815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/categories?post=42815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/tags?post=42815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}