{"id":57622,"date":"2022-09-28T23:02:49","date_gmt":"2022-09-29T04:02:49","guid":{"rendered":"https:\/\/www.biblia.work\/dictionaries\/jaacuteuregui-juan-de\/"},"modified":"2022-09-28T23:02:49","modified_gmt":"2022-09-29T04:02:49","slug":"jaacuteuregui-juan-de","status":"publish","type":"post","link":"https:\/\/www.biblia.work\/dictionaries\/jaacuteuregui-juan-de\/","title":{"rendered":"Jaacute;uregui, Juan de"},"content":{"rendered":"<h2>Jaacute;uregui, Juan de<\/h2>\n<p>A Spanish painter and poet, born at Seville c. 1570, or, according to some, as late as 1583; died at Madrid c. 1640-1. His family, a northern one, was apparently of noble rank, and he was early enrolled as a knight in the Order of Calatrava. He made a sojourn in Rome, and there, judging by what he says in his &#8220;Discourse on Painting&#8221;, he studied the old masters and formed his own pictorial methods. At all events, report has it that he became distinguished as a portrait painter. A current interpretation of a passage in the prologue to the &#8220;Novelas ejemplares&#8221; of Cervantes makes him out to have painted a likeness of the famous novelist. As a poet, J&aacute;uregui began as a disciple of the Sevillian bard, Herrera. In point of fact, he adheres in many of his compositions too closely to the manner of his model, and hence a lack of originality in them. Notable among his poetic endeavors in his versions in blank verse of Tasso&#8217;s &#8220;Aminta&#8221;. It is deemed one of the best foreign renderings of that eminent pastoral play. First published in Italy, in 1607, it was included in the collected &#8220;Rimas&#8221; of J&aacute;uregui put forth at Seville in 1618. In the same volume appeared various poetical pieces, among them a specimen of a translation of Lucas, and certain religious lyrics. In the earlier stages of his career, J&aacute;uregui was a stern opponent of Gongorism and its stylistic excesses, as he clearly shows in his &#8220;Discurso po&eacute;tico contra el hablar culto y estilo obscuro&#8221;, but he later succumbed to the influence of this noxious manner, amply illustrating its peculiarities in his poem &#8220;Orfeo&#8221; (Madrid, 1624) and even defending it in a special dissertation. Of the &#8220;Pharsalia&#8221; of Lucas, already attempted by him in his youth, he made, late in life, a complete version, which, however, was not published until 1684, and is over free in its rendering of the original.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>J.D.M. FORD Transcribed by Christine J. Murray  <\/p>\n<p>The Catholic Encyclopedia, Volume VIIICopyright &#169; 1910 by Robert Appleton CompanyOnline Edition Copyright &#169; 2003 by K. KnightNihil Obstat, October 1, 1910. Remy Lafort, S.T.D., CensorImprimatur. +John Cardinal Farley, Archbishop of New York<\/p>\n<h4 align='right'><i><b>Fuente: Catholic Encyclopedia<\/b><\/i><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Jaacute;uregui, Juan de A Spanish painter and poet, born at Seville c. 1570, or, according to some, as late as 1583; died at Madrid c. 1640-1. His family, a northern one, was apparently of noble rank, and he was early enrolled as a knight in the Order of Calatrava. He made a sojourn in Rome, &hellip; <a href=\"https:\/\/www.biblia.work\/dictionaries\/jaacuteuregui-juan-de\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Jaacute;uregui, Juan de&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-57622","post","type-post","status-publish","format-standard","hentry","category-encyclopedic-dictionary"],"_links":{"self":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/posts\/57622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/comments?post=57622"}],"version-history":[{"count":0,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/posts\/57622\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/media?parent=57622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/categories?post=57622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.biblia.work\/dictionaries\/wp-json\/wp\/v2\/tags?post=57622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}