{"id":15601,"date":"2016-08-18T13:32:54","date_gmt":"2016-08-18T18:32:54","guid":{"rendered":"http:\/\/www.biblia.work\/sermons\/bachjohann-sebastian\/"},"modified":"2016-08-18T13:32:54","modified_gmt":"2016-08-18T18:32:54","slug":"bachjohann-sebastian","status":"publish","type":"post","link":"https:\/\/www.biblia.work\/sermons\/bachjohann-sebastian\/","title":{"rendered":"BACH,\nJOHANN SEBASTIAN"},"content":{"rendered":"<p> (March 21, 1685\u2013July 28, 1750), was a German composer, considered the \u201cmaster of masters,\u201d combining the polyphonic tradition of Baroque music with harmonic innovations. He held positions at the court of the Duke of Weimar, the court of Prince Leopold of Kothen, and directed music at St. Thomas\u2019s School at Leipzig. The majority of his choral works are of religious inspiration, as seen in his over 200 cantatas, including <i>Passion According to St. Matthew Passion, Passion According to St. John Passion, B Minor Mass<\/i> and <i>Christmas Oratorio.<\/i> His great organ and keyboard works include 2 and the <i>Goldberg Variations.<\/i> Among his instrumental masterpieces are pieces for the cello, the solo violin and the <i>Brandenburg Concertos.<\/i><\/p>\n<p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;text-indent: 18.0pt;line-height:normal'>Johann Sebastian Bach composed a cantata which expressed the fervency of his faith in Christ\u2019s atoning work on the cross, entitled:<\/p>\n<p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal'>Jesus, Meine Freude. (Jesus, My Joy!)&#65279;410&#65279;<\/p>\n<p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;text-indent: 18.0pt;line-height:normal'>In expressing his conviction concerning the purpose of music, Johann Sebastian Bach asserted:<\/p>\n<p class=MsoNormal style='margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal'>The aim and final end of all music should be none other than the glory of God and the refreshment of the soul. If heed is not paid to this, it is not true music but a diabolical bawling and twanging.&#65279;411&#65279;<\/p>\n<p class=MsoNormal style='margin-bottom:9.0pt;line-height:normal'><b>Pope, Alexander<\/b> (May 21, 1688\u2013May 30, 1744), was the greatest English poet and satirist of the early 1700\u2019s. Ranking with Shakespeare in influence, his works include: <i>Ode to Solitude,<\/i> 1700\u201309; <i>An Essay on Criticism,<\/i> 1711; <i>The Rape of the Lock,<\/i> 1712, 1714; <i>Dunciad,<\/i> 1728; <i>An Essay on Man,<\/i> 1733; <i>The Universal Prayer,<\/i> 1738; <i>Imitations of Horace,<\/i> 1733; and <i>The Epistle to Dr. Arbuthnot,<\/i> 1735. In <i>An Essay of Criticism,<\/i> 1711, Alexander Pope wrote:<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:0cm; margin-left:18.0pt;margin-bottom:.0001pt;text-indent:-18.0pt;line-height:normal'>To err is human, to forgive divine.&#65279;412&#65279;<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:9.0pt; margin-left:18.0pt;text-indent:-18.0pt;line-height:normal'>Fools rush in where angels fear to tread.&#65279;413&#65279;<\/p>\n<p class=MsoNormal style='margin-bottom:9.0pt;text-indent:18.0pt;line-height: normal'>In <i>Of the Character of Women,<\/i> 1735, 1744, Alexander Pope wrote:<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:0cm; margin-left:18.0pt;margin-bottom:.0001pt;text-indent:-18.0pt;line-height:normal'>A very heathen in the carnal part<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:9.0pt; margin-left:18.0pt;text-indent:-18.0pt;line-height:normal'>Yet still a sad, good Christian at her heart.&#65279;414&#65279;<\/p>\n<p class=MsoNormal style='margin-bottom:9.0pt;text-indent:18.0pt;line-height: normal'>In <i>An Essay on Man,<\/i> 1733, Epistle I, line 95, Alexander Pope wrote:<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:9.0pt; margin-left:18.0pt;text-indent:-18.0pt;line-height:normal'>Hope springs eternal in the human breast.&#65279;415&#65279;<\/p>\n<p class=MsoNormal style='margin-bottom:9.0pt;text-indent:18.0pt;line-height: normal'>In <i>An Essay on Man,<\/i> Epistle IV, line 247, Alexander Pope stated:<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:0cm; margin-left:18.0pt;margin-bottom:.0001pt;text-indent:-18.0pt;line-height:normal'>A wit\u2019s a feather, and a chief a rod;<\/p>\n<p class=MsoNormal style='margin-top:0cm;margin-right:0cm;margin-bottom:9.0pt; margin-left:18.0pt;text-indent:-18.0pt;line-height:normal'>An honest man\u2019s the noblest work of God.&#65279;416&#65279;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(March 21, 1685\u2013July 28, 1750), was a German composer, considered the \u201cmaster of masters,\u201d combining the polyphonic tradition of Baroque music with harmonic innovations. He held positions at the court of the Duke of Weimar, the court of Prince Leopold of Kothen, and directed music at St. Thomas\u2019s School at Leipzig. The majority of his &hellip; <a href=\"https:\/\/www.biblia.work\/sermons\/bachjohann-sebastian\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;BACH,<br \/>\nJOHANN SEBASTIAN&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15601","post","type-post","status-publish","format-standard","hentry","category-sermons"],"_links":{"self":[{"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/posts\/15601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/comments?post=15601"}],"version-history":[{"count":0,"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/posts\/15601\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/media?parent=15601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/categories?post=15601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.biblia.work\/sermons\/wp-json\/wp\/v2\/tags?post=15601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}