Jones, Inigo
Jones, Inigo
A famous English architect, b. 15 July, 1573, in London; d. 21 June, 1652, and was buried in the chancel of St. Benet’s, Paul’s Wharf, London. His father was a clothworker in the neighbourhood of St. Paul’s, and a Catholic; the son adhered to his father’s faith throughout his fife. Little is known of the first thirty years of his life. Towards the end of the sixteenth century he went to Italy and lived there for many years, principally in Venice. Christian IV, King of Denmark, induced him to leave Italy and accept an appointment at the Danish Court. Buildings are named both in Italy and Denmark as having been designed by Jones, but seemingly without proof. He returned to England in 1601, and for some time was engaged in designing the costly scenery and machinery of the court masques. About 1614 I he again went to Italy, and his notes show that lie studied the writings of Serlio, Vignola, Fontana, Labacco, and Philibert de I’Orme, and was acquainted with the most famous architects then living in Rome He also studied the style of Renaissance architecture known as Palladian. On his return to England he was appointed surveyor to the king. Jones designed the queen’s house, Greenwich, the banqueting house, Whitehall, St. Paul’s church and the piazza of Covent Garden (burnt to the ground 1795), a portico to old St. Paul’s cathedral, parts of Somerset House, the Barber Surgeon’s Hall (almost entirely destroyed now), Lindsey House, Shaftesbury House, etc. The Grange, Hants, and other country mansions at Coleshill, Berks, Amesbury, Wilts, Wilton and Raynham Hall, Norfolk. Ile designed the garden front of St. John’s College, Oxford, and laid out Lincoln’s Inn (the first of the London squares). Jones’s later days were filled with adversity, and he died worn out with grief and disappointment. Of his genius as an architect there can be no question, nor can there be any as to his vast influence on the course of architecture in England; but as to the quality of his work and the effect of his influence, opinions differ very widely. His theory of architecture was that “it should be solid, proportional according to the rules, masculine and unaffected”. Much of his work, however, is classed as theatrical and his designs were never truly classical. At the request of the king, Jones wrote a book entitled “Stone-Heng Restored” in which he reaches the astonishing conclusion that Stonehenge is the remains of a Roman Temple of the Tuscan order.
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BLOMFIELD A Short History of Renaissance Architecture in England (London, 1900); MOORE, Character of Renaissance Architecture (New York, 1905); BELCHER-MACARTNEY, Later Renaissance Architecture in England (London); GOTCH, Architecture of the Renaissance in England (London, 1891-94).
THOMAS H. POOLE Transcribed by Tom Burgoyne In memory of Father Baker, founder of Our Lady of Victory Homes
The Catholic Encyclopedia, Volume VIIICopyright © 1910 by Robert Appleton CompanyOnline Edition Copyright © 2003 by K. KnightNihil Obstat, October 1, 1910. Remy Lafort, S.T.D., CensorImprimatur. +John Cardinal Farley, Archbishop of New York
Fuente: Catholic Encyclopedia
Jones, Inigo
an eminent English architect, was born in London in 1572. He went to Venice and studied the works of Palladio, and his reputation procured him the appointment of chief architect to Christian IV, king of Denmark, who, in 1606, brought Jones with him to England. He was induced to remain, and was appointed architect to the queen, and subsequently to Henry, prince of Wales. He invented many ingenious decorations and wonderful machines. Among his works are the palace of lord Pembroke, at Wilton, in the county of Wilts; the queen’s chapel, St. James; the facades of Holyrood House; and Heriot’s Hospital, Edinburgh. He died in London, July 21, 1652. A collection of Inigo Jones’s architectural designs was published by Kent in 1712 and 1724. See Spooner, Biog. Hist. of the Fine Arts, s.v.; Hoefer, Nouv. Biog. Generale, s.v.