Philips, Peter
Philips, Peter
Composer; born England, c.1560; died probably Belgium, c.1633. Having left England before 1590, he settled in the Netherlands, becoming organist to the Archduke Albert and Archduchess Isabella. After taking orders, he received a canonry at Soignies, 1610, and in 1623 one at Bethune. Most of his works were printed by Phalese at Antwerp and include canzoni, madrigals, innumerable instrumental works, masses for six, eight and nine voices, and motets for eight voices. His Cantiones sacrae are included in the repertoire of the Westminster Cathedral choir.
Fuente: New Catholic Dictionary
Philips, Peter
(Also known as PETRUS PHILIPPUS, PIETRO PHILLIPO.)
Born in England about 1560; date and place of death unknown. It is generally accepted that Philips, remaining faithful to the Church, left England for the Netherlands, whence he went to Rome, and afterwards, returning to Antwerp, became organist at the court of the governor, Duke Albert. Having entered Holy orders, he held a canonry at Bethune, in Flanders, which he exchanged for a similar honour at Soignes in 1612. It has been pointed out that the title-pages of his published works are the best index to his movements and abiding places, and they are various. Philips ranks in importance as a musician with Tallys, Byrd, Morley, and Orlando Gibbons, and is considered one of the great masters of his time. Besides canzoni and madrigals for six and eight voices, he left innumerable instrumental works which have been preserved in the libraries of Antwerp, Leyden, Strasburg, and London. Nineteen of these are contained in “The Fitz-William Virginal Book” by J. A. Fuller- Maitland and W. B. Squire. To the Church, however, Philips devoted his best efforts. Besides single numbers found in various collections of his period, a volume of five-part motets; another of similar works for eight voices; “Gemmulae sacrae” for two and three voices and figured bass; “Les rossignols spirituels”, a collection of two- and four-part pieces, some to Latin words, but most of them to French; “Deliciae sacrae”, forty-one compositions for two and three parts, are preserved in the British Museum. The library of John IV of Portugal contains Philips’s posthumous works — masses for six, eight, and nine voices, and motets for eight voices. His “Cantiones sacrae” have recently been made available for modern use, and have been added to the repertoire of the choir of Westminster Cathedral.
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BERGMANS, L’Organiste des archiducs Albert et Isabelle (Ghent, 1903); SQUIRE in GROVE, Dictionary of Music, s.v.
JOSEPH OTTEN Transcribed by Herman F. Holbrook Ut in omnibus glorificetur Deus per Iesum Christum.
The Catholic Encyclopedia, Volume XIICopyright © 1911 by Robert Appleton CompanyOnline Edition Copyright © 2003 by K. KnightNihil Obstat, June 1, 1911. Remy Lafort, S.T.D., CensorImprimatur. +John Cardinal Farley, Archbishop of New York