Biblia

Style, Perpendicular

Style, Perpendicular Regarded as a ramification of the Gothic, manifesting itself in the late 14th century in reaction to the elaboration, of flowing tracery and excessive ornament which, for some 50 years previous, had obtained in English architecture. The exuberance of the early style gave way to straight, vertical, and horizontal lines emphasized by the … Continue reading “Style, Perpendicular”

Stutzle, Johann Nepomuk

Stutzle, Johann Nepomuk a Roman Catholic theologian of Germany, born in 1807 at Scheer, Wiurtemberg, was made a priest in 1832 at Augsburg, called to Balzhausen, Augsburg diocese, in 1849, and died April 17, 1874. He published, Versuch einer Harmonisirung der Welt- und Kirchengeschichte (Zurich, 1868): Handbuch zum romisch-katholischen Religionsunterrichte (Augsburg, 1868, 2 volumes): Stunden … Continue reading “Stutzle, Johann Nepomuk”

Stutteville, Robert De

Stutteville, Robert De a Scotch prelate, was probably bishop of the see of Dunkeld in 1272. He died in 1300. See Keith, Scottish Bishops, page 81. Fuente: Cyclopedia of Biblical, Theological and Ecclesiastical Literature

Stutson, Nelson

Stutson, Nelson a minister of the Methodist Episcopal Church, was born at Monson, Mass., Sept. 20, 1829, and was converted when about nineteen. He was educated at Wilbraham, graduated from college in 1858, and joined the New England Conference in 1859. In 1869 he spent three months in Europe to recruit his health, but it … Continue reading “Stutson, Nelson”

Sturt, John

Sturt, John an English engraver, was born in London in 1658, and at the age of seventeen became the pupil of Robert White. His chief excellence lay in the engraving of letters, and the minuteness with which they were executed. He died in 1730. His best work is the Book of Common Prayer, which he … Continue reading “Sturt, John”

Sturm und Drang

Sturm und Drang (German, “Storm and Stress”), a period sweeping the German countries about 1770-1785, in which men like Hamann, Herder, the young Goethe, Schiller, Wagner, Christian Schubart, and Friedrich Maximilian Klinger (from whose play the movement got its name) advocated, in a flush of creative enthusiasm, the forces of native talent, the value of … Continue reading “Sturm und Drang”